The Legacy of Lorenzo and Clarice

Why not have it all?  Control of both Church and State!  Although this may have been their plan, control of both Church and State at the same time would prove difficult for the Medici Family.

After Lorenzo's death, the head of the family was Piero, the eldest son.  Unfortunately, he was not the diplomat his father was.  In brief, he allowed the French king to march his army through Florence in 1494, after which the Florentines exiled the Medici.

The hopes of the family were then pinned on the future of Giovanni 1475-1521), second son of Lorenzo and Clarice.  From an early age, he had been destined for the Church.  He was tonsured at age seven or eight and made a cardinal at the age of 13.  He was not allowed to wear the robes until three years later, but as his father lay dying in Florence in 1492 he was already being welcomed in Rome (see Lives of the Early Medici, as told by their correspondence, translated by Janet Ross).

After being exiled from Florence, because there was a price on his head, Giovanni traveled in Germany, the Netherlands and France, returning to Rome in 1500, where he was welcomed by the Borgia Pope, Alexander VI.

The fresco above, Ghirlandaio's "Confirmation of the Franciscan Rule," in the Sassetti Chapel of Santa Trinita in Florence, is widely believed to be portraits of the young children of Lorenzo and Clarice.  According to "The Medici, the Golden Age of Collecting," by Massimo Winspeare, proceeding up the staircase is the children's tutor, Agnolo Poliziano, with Guilio (son of the murdered Guiliano, see post of 9/23/12) followed by Piero and Giovanni.  Bringing up the rear are the poet Luigi Pulci and the canon Matteo Franco.  Hint:  there are two future Medici popes in this fresco!

And then Lorenzo died . . .

. . . at his villa at Careggi on April 9, 1492.  He was 43 years old, and had been suffering from the same disease that had affected many other members of the family, gout.  He had taken the last sacrament already, but according to some accounts, called for Fr. Savanarola, who had repeatedly preached against the power and might of the Medici, to hear his confession.

     Of course, we will never know if Lorenzo actually confessed to the sin of misappropriating state and trust funds, specifically the Monte di Doti, but the evidence seems to indicate that near the end of his life, Lorenzo did line his own pockets through a scheme of reducing the interest paid (see Alfred von Raumont's account in Lorenzo De' Medici:  the Magnificent, Volume 2).

     Lorenzo's "dark side" is symbolized for me by the above image, the reverse of the Desco da Porto (birth tray, see blog entry of 2/14/12), which was once resplendent in silver decoration that has now oxidized, and which is embellished with Piero de' Medici's emblem, a diamond ring, three feathers, and a banderole inscribed with the motto "Semper" or "Always."  The birth tray was hanging on the wall of Lorenzo's bedroom at Careggi, and was included in the inventory done at his death.  These inventories, while done at the time for tax purposes, have served history well in that we have  documentation from the time and place.

Another Orsini Marries into the Medici Family, 1488

Lorenzo di Medici and Clarice Orsini had ten children, including their oldest son, Piero de Lorenzo de Medici, called "the Unfortunate," because of the events he allowed to unfold after his father's death.

But that is skipping ahead of the date, 1488, when Piero married Alfonsina Orsini, who was 16 at the time, and the daughter of Roberto Orsini, Conte Tagliacozzo, and Catherine San Severino.   While Piero may be called "the Unfortunate," it was a fortunate  marriage for the Medici family (and the city of Florence) because decades later  Alfonsina would serve as Regent.

The portrait above, by Botticelli, is currently in the inventory of the Palazzo Pitti.  To my knowledge it has not been on display in recent years.  But just as there is renewed interest in Anna Luisa de Medici (and that's skipping centuries ahead) currently, perhaps there will come a time when some curator decides to do an exhibition on the Medici wives.

Lorenzo's Last Mistress

Francesco Guicciardini said that when he was forty Lorenzo who 'was licentious and very amorous,' fell desperately in love with Bartolommea dei Nasi, the wife of Donato Benci, and spent night after night with her at her country villa, returning to Florence just before dawn.  "Although she was not shapely, she was courteous and well-mannered."

Guicciardini further comments, "It is absurd to consider so important a man, with his reputation and judiciousness should, at the age of forty, be so taken with a woman who was not beautiful and already advanced in years."  Bartolommea was thirty at the time.

While the above portrait is not Bartolommea (it's Portrait of a Woman Inspired by Lucretia, by Lorenzo Lotto, c. 1553), I'd like to think that she might have looked something like this, beautiful in spite of her size and years.  

"Guicciardini gave credence to the report that the fatal illness of Lorenzo was brought on by the exposure to which Lorenzo subjected himself in following up his love intrigue with Bartolommea de' Nasi, the wife of Donato Benci, a lady who was neither young nor beautiful but of much distinction in manner and intelligence.  In order to save the reputation of the lady, who lived near her villa in the country during the winter months, Lorenzo, then a widower, visited her regularly after nightfall and returned to Florence in the morning.  He was accompanied on these occasions by a portion of that body-guard, with some of whom he was always surrounded after the conspiracy of the Pazzi.  Two of them having complained of their hard service, the lady contrived o get them sent away in disgrace on distant embassies.  'A mad thing'..., says Guicciardini, 'was it, if we consider that a man of such greatness, reputation, and prudence---of forty years of age---should e so captivated by a lady, not beautiful and full of years, as to be brought to do things which would have misbecome any boy.'"  (Smith, 1876, p. 134)

And then Clarice died . . .

. . . of tuberculosis, at the age of only 34, on July 30, 1488.  Her grieving husband Lorenzo wrote the following to Pope Innocent VIII:

Sanctissime ac Beatissime Pater post Pedum oscula Beatorum Vestrorum

Too often am I obliged to trouble and worry Your Beatitude with accidents sent by fortune and divine interposition, which as they are not to be resisted must be borne with patience.  But the death of Clarice, which has just occurred, my most dear and beloved wife, has been and is so prejudicial, so great a loss, and such a grief to me for many reasons, that it has exhausted my patience and my power of enduring anguish, and the persecution of fortune, which I did not think would have made me suffer thus.  The deprivation of such habitual and such sweet company has filled my cup and has made me so miserable that I can find no peace.  Nought is left but to pray God that He may give me peace, and I have faith that in His infinite love He will alleviate my sorrow and not overwhelm me with so many disasters as I have endured during these last year.  I humbly beg your Beatitude with all my heart to pray for me as I know how efficacious are such prayers.  I commend myself and place myself at Your Holy Feet.----Filetta, July 31, 1488.  Your devoted servant, Laurentius de Medicis.

I've posted a view of the interior of the Basilica of San Lorenzo, the Medici family church.  There's no mention that I can find of whether or not Clarice is buried in either the Old Sacristry or the New Sacristry, but I would like to think that at least there was a service for her in this beautiful church, designed by Brunelleschi.

Maddelena, Lorenzo's favorite daughter

"Historians believe Maddalena de’ Medici, born in Florence on 25 July 1473, was Lorenzo il Magnifico’s favourite daughter. Her marriage to Franceschetto Cybo, the son of Pope Innocent VIII, was a vitally important development for this noble Florentine house. Lorenzo’s prestige grew and, furthermore, he was able to better cultivate his relations with the Pope. This marriage also paved the way for his second son, Giovanni, who was to assume the papal office as Leo X. Maddalena received this work, a small exquisitely adorned and bound book of prayers − now a part of the Rothschild   collection at Waddesdon Manor in England − as a wedding gift. (see post of Aug 24, 2013)  Of the codices commissioned for his daughters, this work was the finest and most richly adorned. The original binding went missing hundreds of years ago. Franco Cosimo Panini Editore therefore conducted in-depth historical and philological research to do the impossible: painstakingly reconstruct the binding as it was, down to the very last detail! An extraordinary tribute to Maddalena de’ Medici has thus been revived." (from http://www.oremedici.it/en/the-manuscript/

Lorenzo had these Books of Hours made . . .

. . . for his three daughters as wedding gifts.  'The first of these works - commissioned about 1485, and now to be found in Monaco - he gave to Lucrezia, who married Jacopo Salviati.  The second, now at the Biblioteca Medicea Laurenziana library, was for Luisa, the betrothed of Giovanni di Pierfanncesco de' Medici (she died before the day of the wedding).  The third was a wedding gift for Maddalena, the bride of Count Franceschetto Cybo, the illegitimate son of Pope Innocent VIII.  These three Offizioli (or breviaries) are a touching tribute from a loving father - one of the most powerful men of the period of the Renaissance - to his three very young daughters."(from  http://www.oremedici.it/en/the-manuscript).